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                  <text>Other Sports Publications</text>
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                  <text>&lt;em&gt;Puro Fútbol&lt;/em&gt; is an example of advent of new sports publications in the 1970s.</text>
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                <text>¿Qué debe comer el futbolista?</text>
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                <text>An analysis of what the modern player should eat and drink</text>
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                <text>As part of th emove towards greater professionalization in Argentine fútbol, sports writers and members of training staffs often debated how players should take care of themselves for optimal performance. Here, the issue of a player's diet comes under the microscope.</text>
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                <text>Jack Barski (with Dr. Roberto Paladino, medic for Club Huracán)</text>
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                <text>Pages 32-33</text>
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                <text>Mar-1965</text>
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                <text>Biblioteca de la Asociación del Fútbol Argentino</text>
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                  <text>Campeón</text>
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                  <text>This weekly publication, considerably shorter in length compared to other sports magazines, was aimed at the working-class soccer fan. It contained more gossip and sensationalist articles than &lt;em&gt;El Gráfico&lt;/em&gt; or &lt;em&gt;Mundo Deportivo&lt;/em&gt;.</text>
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                <text>¿Qué debe olvidarse y qué debe rescatarse de un pasado feliz?</text>
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                <text>Commentary on old and new approaches to fútbol by players</text>
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                <text>Less than a nostlagic look at the past as commonly seen in El Gráfico, this article looks at how the sport has evolved and become more professional. The point of the article is to provide solutions needed for the national team to perform well at the next World Cup.</text>
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                <text>Page 6</text>
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                <text>Biblioteca del Círculo de Periodistas Deportivos (Buenos Aires)</text>
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                  <text>The definitive sports periodical for several decades, &lt;em&gt;El Gráfico&lt;/em&gt; shaped the discourse of soccer commentary in Argentina. These entries focus on several themes: fans, violence, tactics, playing styles, social classes, the international gaze, and identity. &lt;br /&gt;&lt;br /&gt;Aimed at a middle-class audience through its coverage of sports, tactics, and fandom, its celebrated writers frequently offered  biting criticism towards uniformed sports fans, coaches, and inept administrators.</text>
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                <text>¿Qué elegimos: Racing o el Seleccionado?</text>
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                <text>El Grafico asks which approach to soccer is better: Racing's careless offense or Argentina's overly cautious defense?</text>
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                <text>Useful article because it examines two different philosophies of soccer: attack at all costs, or defend and win at all costs? The article ignores that both teams emphasized a very tight and physical defense</text>
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                <text>Juvenal</text>
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                <text>Pages 18-19</text>
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                <text>El Gráfico</text>
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                <text>Biblioteca del Círculo de Periodistas Deportivos (Buenos Aires)</text>
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                  <text>&lt;em&gt;Mundo Deportivo&lt;/em&gt; had a brief, but successful, history during the Peronist decade of 1945 to 1955, and lasted until 1958. Its tone and coverage served as a useful sports propaganda for the regime but also covered a wide range of topics within sporting culture. &lt;br /&gt;&lt;br /&gt;In the wake of Peron's ouster in 1955, &lt;em&gt;Mundo Deportivo&lt;/em&gt; could not maintain a level of competition with El Grafico and eventually folded.</text>
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                <text>¿Qué es el crack?</text>
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                <text>¿Qué has hecho tú en La Paz, Argentina?</text>
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                <text>Pages 61-62</text>
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                <text>Along with the accompanying article "Ya era tiempo de una sanción ejemplarizadora", the magazine wonders how sexual harassment could lead a player to be suspended for an entire year.</text>
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                <text>Page 10</text>
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                <text>Biblioteca del Círculo de Periodistas Deportivos (Buenos Aires)</text>
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                  <text>The definitive sports periodical for several decades, &lt;em&gt;El Gráfico&lt;/em&gt; shaped the discourse of soccer commentary in Argentina. These entries focus on several themes: fans, violence, tactics, playing styles, social classes, the international gaze, and identity. &lt;br /&gt;&lt;br /&gt;Aimed at a middle-class audience through its coverage of sports, tactics, and fandom, its celebrated writers frequently offered  biting criticism towards uniformed sports fans, coaches, and inept administrators.</text>
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                <text>Opinions from coaches and officials on what ails the national team-which just classified for the World Cup but playing less than convincing soccer</text>
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                <text>Of note is the lengthy response by who will be the national team coach in 1966: Lorenzo</text>
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                <text>Pages 4-7</text>
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                <text>El Gráfico</text>
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                  <text>Majors institutions like River Plate, Racing, and San Lorenzo (among others) either published or supported fan-club publications for its club members and supporters.</text>
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                <text>¿Qué más quieren?</text>
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                <text>The magazine accuses Argentine sports journalists of club bias in their coverage of the national team.</text>
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                <text>Citing the fact that 8 of the starting 11 players on the national team belonged to River Plate, the magazine accuses sports writers at newspapers like La Nacion of omitting the contribution of River players in their summary of the national team's World Cup qualifying matches against Chile and Bolivia. Furthermore, the magazine wonders why the Argentine team is criticized for not retaliating against Bolivian physical play in one match and then criticized for being too aggressive in the following match while receiving similar physical play. </text>
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                <text>Personal collection-Rodrigo Daskal</text>
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