El hogar interviews Frondizi on politics, identity, fútbol, his marriage, and favorite food. The second article is more of fluff piece, but it reveals that Frondizi enjoyed fútbol, supported Almagro, and disliked jazz.
Cartoon shows a naked woman who only asks for a Cadillac, ridiculing the superficiality of consumerism that she is willing to bypass clothes for a luxury car.
Of note is how the club relates its yearly summary to the tumultuous events of late 1955. The club addresses these events clearly but only in how they relate to the performance of the club (loss revenue during the coup).
Any reference to Perón is gone, including the name of the stadium, the quinquenal, and homages to Juan Duarte and Eva Duarte de Perón. This one example of the effects of proscription on the clubs.