Browse Items (28 total)

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The latest film parternship by directors Leopoldo Torres Nilsson and Leopoldo Torres Rios, and actor Armando Bo, "El hijo del crack," premiered at Normandie cinema in 1953. The movie is a spiritual companion to "Pelota de trapo" and continues to look…

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The 1954 film, "El cura Loenzo," premiered at the Metropolitan cinema. The movie follows the life of the priest Lorenzo Massa, whose outreach efforts towards children in the impoverished barrio of Almagro, helped lay the foundation for Club Atlético…

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As customary for its time, newspapers doubled as promoters of social events and premieres, this time with the 1951 film "El Hincha" directed by Manuel Romero and starring the famus tango composer Enrique Discépolo.

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The 1950 film "Escuela de campeones" premiered at the Broadway cinema. The film recounts the origins of association football in Argentina by Anglo-Argentines who, in the process of developing and nurturing the sport in the country, became Argentines…

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"Sacachispas" debuted at the Premiere Cinema on April 12, 1950, with most of the cast of the 1949 film "Pelota de trapo" joining director and lead actor Armando Bó.

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This piece of literature by Borocotó was the basis for the film Pelota de Trapo. These excerpts ran between Jan 10, 1947 and April 22, 1949

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"Con los mismos colores" premiered at Suipacha and starred Nelly Daren and three of Argentina's best players: Mario Boyé, Alfredo Di Stéfano, and Norberto Méndez (directed by Carlos Torres Rios)

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News article and advertisement for the release of "Pelota de trapo" (written by Borocotó and Jerry Gómez, and starring Armando Bó (produced by S.I.F.A). The film premiered at the Metropolitan

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Enrique Santos Discépolo was a famed tango composer who crafted a screenplay that shared his other passion in life: fútbol. The film is heavy on social commentary that was populist in nature, and also centered on what Discépolo saw as the essence of…

http://animales.rwanysibaja.com/thesis_photos/MuseoCine/Photographs/ElHincha_01.jpg
Enrique Santos Discépolo was a famed tango composer who crafted a screenplay that shared his other passion in life: fútbol. The film is heavy on social commentary that was populist in nature, and also centered on what Discépolo saw as the essence of…

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This 1953 features Armando Bo as a down-on-his-luck fútbol player struggling to survive, make sense of his life, and raise his only son.

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This 1953 features Armando Bo as a down-on-his-luck fútbol player struggling to survive, make sense of his life, and raise his only son.

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This scene shows how education and schooling became important vehicles for the dissimination of football. Here, Scotsman Alexander Watson Hutton teaches his young "criollo" pupils a lesson about sports and life in general.

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Escuela de campeones helped immortalize Alexander Watson Hutton as the "father" of fútbol in Argentina, making him criollo by virtue of his commitement to Argentina and its people.

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El cura Lorenzo tells the story of the priest that helped found Club Atlético San Lorenzo

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Featuring Mario Boyé, Norberto "Tucho" Méndez (both of whom are featured in this image), and Alfredo Di Stéfano, Con los mismos colores (1948) elevated fútbol players from secondary characters to the fore.
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