Luis Sandrini's new film headlines the September issue, while August issue shows a young female with an obvious sensuality as boys peak a sneak at her exposed leg.
Featuring Mario Boyé, Norberto "Tucho" Méndez, and Alfredo Di Stéfano (featured in this image), Con los mismos colores (1948) elevated fútbol players from secondary characters to the fore.
Featuring Mario Boyé, Norberto "Tucho" Méndez (both of whom are featured in this image), and Alfredo Di Stéfano, Con los mismos colores (1948) elevated fútbol players from secondary characters to the fore.
Now free of Peronist intervention, the Argentine film industry looks forward to greater freedoms. But as this article points out, cinema is never free of state influence.
Enrique Santos Discépolo was a famed tango composer who crafted a screenplay that shared his other passion in life: fútbol. The film is heavy on social commentary that was populist in nature, and also centered on what Discépolo saw as the essence of…
Enrique Santos Discépolo was a famed tango composer who crafted a screenplay that shared his other passion in life: fútbol. The film is heavy on social commentary that was populist in nature, and also centered on what Discépolo saw as the essence of…
Escuela de campeones helped immortalize Alexander Watson Hutton as the "father" of fútbol in Argentina, making him criollo by virtue of his commitement to Argentina and its people.
This scene shows how education and schooling became important vehicles for the dissimination of football. Here, Scotsman Alexander Watson Hutton teaches his young "criollo" pupils a lesson about sports and life in general.