Player profile on legendary Independiente player Raimundo Orsi (with some mentions of another key player: Renato Cesarini). This article reinforces the trope of the crack player whose youthful energy must have drove his mother crazy but he eventually…
The article highlights the "guapeza" of the players involved in the match, as well as a focus on the legs of key players (which hints at some form of masculinity that desires the athletic bodies of male athletes as a form of adulation and marvel.)
Orsi played in the 1928 Olympic team that came second to Uruguay in Amsterdam. This part of his autobiography emphasized his mother and the difficulty in becoming a professional fútbol player
By ignoring the women around them, who look similar to the idealized women in the magazines the two men are ogling, the artist pokes fun at men and their libido.
Fans tore the fences, invaded the field, and tried to attack the match official (supposedly due to the inflamed passions of certain female supporters from Rosario).
Independiente's nickname is the "diablos rojos" (red devils), here wooing a woman while the mascots of Boca Juniors and River Plate show off their muscles as they get ready to fight each other. Independiente is thus able to court the woman by taking…
The loss by neighborhood rival Racing provides Independiente a chance to do what their neighbors could not: win against a team from La Plata. This is a form of masculinity where fans could emasculate rival fans from Racing by stating that they were…
The article blames the referee and police for violence inside the stadium, often using quotes around the police ("guardianes del orden") as a form of sarcasm
Predating many of the accounts by scholars, this 1945 article makes mention of "barras bravas y seguidoras fieles" led by charismatic ring leaders like "Cantinflas".