Language demonstrates a negative attitude towards the players and the loss of revenue that the strike caused. There's also a brief blurb about the English referees contracted for 1949.
Ribas is incredulous that club and AFA officials are absolving themselves of any blame for the labor impasse and laying responsibility on the feet of the players.
Club officials place sanctions on players for heavy losses due to their strike, but the article asks a good question: are fans equally to blame for their insistence, as club associates, for major products that lead to club debts?
The cartoon delivers 2 observations: club officials have turned desperate to field players while the professionals are on strike, and the spirit of the potrero and the pibe remains the only viable solution to the greed and money in soccer.
In the series "Las opiniones de Justiniano Calles", Ribas provides an ode to the fan…but Ribas' style is a metacommentary on the excessive passions of "hinchas"
This profile piece is a perfect example of how sports magazines portrayed fútbol players: surrounded by family (especially the player's mother), in uniform, hanging out with friends, and with fans. This style will change in the late 1950s and 1960s.
The move to a more systematic, and professionalization, of coaching and the use of tactics begins in the late 1940's with coaches who will become important during the 1950s and 1960s (especially with the national team) such as D'Amico, Cesarini, and…
Although Mourín is not a well-remembered player in Argentine fútbol history, this profile piece is a perfect example of how sports magazines portrayed fútbol players: surrounded by family (especially the player's mother), in uniform, and with fans.…