Luis Sandrini's new film headlines the September issue, while August issue shows a young female with an obvious sensuality as boys peak a sneak at her exposed leg.
"Con los mismos colores" premiered at Suipacha and starred Nelly Daren and three of Argentina's best players: Mario Boyé, Alfredo Di Stéfano, and Norberto Méndez (directed by Carlos Torres Rios)
News article and advertisement for the release of "Pelota de trapo" (written by Borocotó and Jerry Gómez, and starring Armando Bó (produced by S.I.F.A). The film premiered at the Metropolitan
As customary for its time, newspapers doubled as promoters of social events and premieres, this time with the 1951 film "El Hincha" directed by Manuel Romero and starring the famus tango composer Enrique Discépolo.
Now free of Peronist intervention, the Argentine film industry looks forward to greater freedoms. But as this article points out, cinema is never free of state influence.
The 1950 film "Escuela de campeones" premiered at the Broadway cinema. The film recounts the origins of association football in Argentina by Anglo-Argentines who, in the process of developing and nurturing the sport in the country, became Argentines…
The 1954 film, "El cura Loenzo," premiered at the Metropolitan cinema. The movie follows the life of the priest Lorenzo Massa, whose outreach efforts towards children in the impoverished barrio of Almagro, helped lay the foundation for Club Atlético…
The latest film parternship by directors Leopoldo Torres Nilsson and Leopoldo Torres Rios, and actor Armando Bo, "El hijo del crack," premiered at Normandie cinema in 1953. The movie is a spiritual companion to "Pelota de trapo" and continues to look…
"Sacachispas" debuted at the Premiere Cinema on April 12, 1950, with most of the cast of the 1949 film "Pelota de trapo" joining director and lead actor Armando Bó.
Escuela de campeones helped immortalize Alexander Watson Hutton as the "father" of fútbol in Argentina, making him criollo by virtue of his commitement to Argentina and its people.
Featuring Mario Boyé, Norberto "Tucho" Méndez, and Alfredo Di Stéfano (featured in this image), Con los mismos colores (1948) elevated fútbol players from secondary characters to the fore.