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Ad for films produced in the Unites States
Notice how the men stand in heroic poses, while women are subjugated to a secondary role as those who are to be saved
Ad for films produced in Argentina
Luis Sandrini's new film headlines the September issue, while August issue shows a young female with an obvious sensuality as boys peak a sneak at her exposed leg.
Pelota de trapo, partida de nacimiento del fútbol
Useful for a look at the intersection between Argentine cinema and sports in popular culture
El estado y el cine
Now free of Peronist intervention, the Argentine film industry looks forward to greater freedoms. But as this article points out, cinema is never free of state influence.
Ha muerto un muchacho…
"Barras" nor "bravas" appears here, but some of the other ways to differentiate violent fans from peaceful spectators is noteworthy
Se fue un gran periodista: Ricardo Lorenzo 'Borocotó'
Borocotó died suddenly in 1964 and this rival sports publication pays homage
Various
Racing Club de Chivilcoy offered many cultural and social activities for members beyond theatre, including dances and film exhibits.
Various activities
Events include a cinema screening, bochas, and buffet for players
Con el retiro de García Pérez se aleja de las canchas argentinas uno de sus grandes valores
Beyond the middle-class family lifestyle, notice here that García Pérez is married to actress and singer Inés Fernández
Scene from "El cañonero de Giles"
Comedic actor Luis Sandrini sits a card table with others in the film El cañonero de Giles.
Scene from "El centroforward murió al amanecer"
The main character, played by Luis Medina Castro, tries to escape the clutches of the mysterious Mr. Lupus.
Scene from "Con los mismos colores"
Featuring Mario Boyé, Norberto "Tucho" Méndez, and Alfredo Di Stéfano (featured in this image), Con los mismos colores (1948) elevated fútbol players from secondary characters to the fore.
Scene from "Con los mismos colores"
Featuring Mario Boyé, Norberto "Tucho" Méndez (both of whom are featured in this image), and Alfredo Di Stéfano, Con los mismos colores (1948) elevated fútbol players from secondary characters to the fore.
Scene from "El cura Lorenzo"
El cura Lorenzo tells the story of the priest that helped found Club Atlético San Lorenzo
Poster for the film "Escuela de Campeones"
Escuela de campeones helped immortalize Alexander Watson Hutton as the "father" of fútbol in Argentina, making him criollo by virtue of his commitement to Argentina and its people.
Scene from "Escuela de Campeones"
This scene shows how education and schooling became important vehicles for the dissimination of football. Here, Scotsman Alexander Watson Hutton teaches his young "criollo" pupils a lesson about sports and life in general.