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Image of Wembley stadium

Images of Juan and Eva Perón with Fangio, celebrating national success in sports

Ignoring their draw and loss to Uruguay, and silver medal, the newspaper declares Argentina the true champions. Fans are described as feeling the same way.

The move to a more systematic, and professionalization, of coaching and the use of tactics begins in the late 1940's with coaches who will become important during the 1950s and 1960s (especially with the national team) such as D'Amico, Cesarini, and…

Articles like these are helpful in understanding Argentine notions of soccer superiority in the international arena.

The success of British officials in Argentina prompts the AFA to look for replacements for those who left back to Europe.

With players like Alfredo Di Stéfano, Ángel Labruna, and Jose Manuel Moreno, the River Plate squad of the 1940s remains legendary to this day.

Another helpful article on playing styles as perceived by Argentines. Worth noting that Alf Ramsey played left back

This profile piece is a perfect example of how sports magazines portrayed fútbol players: surrounded by family (especially the player's mother), in uniform, hanging out with friends, and with fans. This style will change in the late 1950s and 1960s.

Useful for a look at the intersection between Argentine cinema and sports in popular culture

Di Stéfano is lauded for his humble roots, posing with his family, and his ability at a young age to demand a salary commesurate with his skills and value to River Plate. He will leave a year later to play in Colombia and then Real Madrid.

La Cancha seems fairly aligned with players in their dispute with club officials

The article refers to fans as "hinchas" and "hinchadas" (and later in the issue "barra"). Rags like La Cancha talked directly to fans, while El Gráfico talked at fans.

Unlike the 1928 Olympics, where reasons were largely external, this loss to Uruguay looks inward at poor preparation and the role (for worse) of soccer officials. Negative portrayal of club officials as well-to-do men who become rich off soccer.

Cartoon and commentary demeans Uruguayan victory. Not only does it try to invalidate it as unjust, but also portrays Uruguayans as savages in racialized terms. No longer are they the "porteño" brothers of a similar culture (gaucheque, mate,…

An example of how journalists influenced public opinion, in this case the idea of Argentine superiority in soccer
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